In an increasingly
globalized world, cinema has become a powerful medium for representing
multiculturalism and diversity. Filmmakers from diverse cultural backgrounds
use their craft to tell stories that transcend geographic boundaries and
resonate with global audiences. The narratives often reflect the complexity of
cultural hybridity, the interplay of identity and language, and the challenges
and rewards of cross-cultural collaboration. This paper aims to explore how
modern films represent these themes, focusing specifically on Bong Joon-ho’s
Parasite and Chloe Zhao’s Nomadland. Through their unique cultural
perspectives, both directors offer audiences a lens into societal dynamics
while fostering a greater understanding of humanity’s shared experiences. This
exploration begins with a historical context that outlines the evolution of
multicultural representation in cinema.
