International Journal of

Arts , Humanities & Social Science

ISSN 2693-2547 (Print) , ISSN 2693-2555 (Online)
DOI: 10.56734/ijahss
Avatar Agency: Algorithmic Subjectivity In AESPA

Abstract


"What is an avatar?" The popular imagery of the 2009 film of the same name by James Cameron and its two sequels has significantly influenced the public's conception of the term "avatar." Although the term is derived from Sanskrit and refers to the incarnation of a divine being in human or animal form, popular culture instinctively associates it with the blue mythical creatures that inhabit the planet Pandora in Cameron's films and are called Na'vi. In the film's mythological narrative, the Na'vi—the indigenous inhabitants of the planet—are depicted as both natural beings and subjects of biotechnological experimentation. Their DNA can be engineered in a laboratory setting to be controlled by a human via a neural interface. As suggested by the name, the Na'vi are "natives" as an original biological species. However, as biotechnological clones, they assume the role of navigators ("Navi" in the abbreviation), who can also be controlled and moved by humans who, like the protagonist Jake Sully in Avatar, are paraplegic. In order to visually distinguish Sully as the film's hero from the mass of other Na'vi, his face is designed to be somewhat more anthropomorphic. However, there are no visual markers that would indicate an ontological difference between the original and the avatar.